地獄は私たち：新しいトレーラーはその暗い世界と型にはまらないゲームプレイを強調しています
Rogue Factorと出版社のNaconは、今後のゲーム、 Hell Is Usの魅惑的な新しい予告編をリリースしました。このほぼ7分間のGlimpseは、没入型の世界探検、説得力のあるキャラクターの相互作用、挑戦的なパズルソービング、隠された秘密のスリルなど、コアゲームプレイを紹介しています。
地獄は、戦争で荒廃した国内で設定された第三者のアクションアドベンチャーエクスペリエンスにプレイヤーを魅了します。ゲームのユニークな側面は、マップ、コンパス、クエストマーカーなどの従来のインターフェイス要素の意図的な省略です。プレイヤーは、鋭い観察スキルと直観に頼って半開きの世界をナビゲートする必要があり、非プレイヤーキャラクター（NPC）とのやり取りから収集された手がかりをつなぎ合わせる必要があります。
主人公のレミーは、戦略的なドローンを利用して彼のアプローチを計画し、彼が出会う恐ろしいキメラと戦うように設計された彼の特殊な武器の兵器庫を補完します。予告編は、ゲームの暗く雰囲気のある環境を強調し、激しい剣とドローンの戦闘シーケンスを強調し、暴力と人間の状態の複雑なテーマを探求する豊かな物語を暗示しています。
Hell Is Usは、2025年9月4日にPS5、XboxシリーズX | S、およびPCのリリースが予定されています。
最新記事
Two Embers – Part 1
By [Your Name]
The wind howled across the shattered plains of Eldryth, carrying with it the scent of ash and forgotten prayers. Once, this land had bloomed beneath twin suns—golden and silver—cradled in the arms of the sky. Now, only two embers remained: one buried deep in the heart of the Obsidian Spire, the other flickering faintly in the chest of a girl who did not know her name.
She awoke beneath a sky split in two.
One half burned crimson, the other wept silver mist. The earth cracked like old parchment, and from the fissures rose whispers—voices not of men, nor beasts, but of memory itself. Her fingers curled around a shard of obsidian, warm to the touch, humming with a rhythm that matched her pulse.
She didn’t remember how she got here. She remembered nothing—not her mother’s lullaby, not the sound of her first breath, not even the shape of her face in the still pools of long-dead lakes.
Only the ember.
And the dream.
“When the twins fall, the world will wake,” the dream whispered. “But not as it was. Not as it should be.”
She sat up. The shard pulsed. Her reflection shimmered within it—not a face, but a storm: a woman with hair like flame and eyes like dying stars.
“You’re not real,” she said, voice cracked from disuse.
But the reflection smiled.
And spoke.
“I am you. I am what was lost. I am what was never meant to be found.”
She stumbled to her feet, wind tearing at her tattered cloak—the color of dust and midnight. Around her, ruins of a cathedral rose from the earth, its spires fused with bone and blackened iron. The name carved into its fallen arch read: Aetherion.
Her hand trembled as she touched the stone. A vision tore through her:
A war not of swords, but of light.
Two beings—twin stars forged in fire—clashing in the sky. One wore the face of a god, the other… a child.
She gasped.
And the ember screamed.
From the east, a sound like a thousand bells made of glass. A procession of shadows moved across the horizon—hooded figures with eyes of ash, marching in silence. Their chants were not in any tongue, but in absence. In silence.
She turned to flee—then stopped.
Because behind her, in the west, a new light rose.
Not silver. Not gold.
Blue.
And from it stepped a man—tall, scarred, wearing armor of woven wind and memory. In his hand, a sword without a blade. Its hilt bore the same mark as the shard in her palm.
“Eira,” he said, voice like wind over graves. “You’ve come at last.”
She stepped back. “Who are you?”
He looked at her, and for the first time, his face cracked—just slightly.
“I was your father,” he said. “And I thought I’d buried you with the world.”
The ground trembled. The sky split again.
And from the ember in her hand, a voice rose—not hers, not his.
“The first ember dies. The second awakens. The war begins.”
To Be Continued in Part 2: "The Blood of the Twin Suns"
読む
](https://ima.hhn6.com/uploads/18/17380116246797f3e8a8a39.jpg)
